The April IHSW: One Almost-Finish and A "Finish"

Hey Blog Buddies,

I ran around a little this weekend (International Hermit & Stitch Weekend, for those of you who may be wondering what IHSW is), but I did get some stitching done--more stitching, in fact, than either of these two projects might lead you to believe.

First is Grandma's Roses, the canvaswork project from the Nordic Needle Retreat:

(the "before" photo)

I got everything finished except for

the bullion-stitch roses in the corners.

(I can't figure them out.)

A member of our Guild, moonsilk stitches,

is going to give me a short bullion-stitch tutorial

after the next Guild meeting.

Isn't it wonderful to have talented friends?

That large, flashy, silk-ribbon rose in the center

is a woven spider web stitch

and was actually pretty easy to do!

I wasn't muttering to myself while doing it

the way I was while doing the "twirled" rosebuds

on the outer border.  Oy!

Next is my "finish":

(the "before" photo)

This is the Naversom project from the Retreat.

I've finished everything but the ground stitch--

those are the 'shaded' areas you see between

the purple arrowheads and the borders on the narrow ends.

It's worked in a linen thread that's

extremely close in color to the ground.

It is supposed to be stitched in all unworked

areas of the ground! 

(I guess that's why they call it the ground stitch!!)

As I was stitching these areas,

it was next to impossible for me to figure out

what I had already stitched and what I hadn't.

(I was highlighting every 3 or 4 stitches in the instructions.)

The two small ground-stitch areas on either end

add a nice symmetry to the piece!

Therefore, this project is "finished"!

(Please don't tell Debi...)

Go to Joyce's blog for the links to the

121 other Hermitters

to see what they've been up to the past few days.

Hope you all had a fun weekend!

Thanks for visiting!

WIPs from the Nordic Needle Retreat

Hey Blog Buddies,

As promised, I'm sharing the WIPs that followed me home from the recent Nordic Needle Retreat.  Here are the classes in order:

The  Strangest Class...

...was the Naversom class.  Naversom is a traditional Swedish stitching technique that involved mounting the fabric to a piece of birch bark.  The front side of the piece was toward the bark to keep it clean while the stitcher was out in the field tending her animals.  Therefore, the entire piece was worked from the back, and the stitcher never saw the front of the piece until she was done stitching.  To read more about Naversom, go here.

To give us an authentic Naversom stitching experience, our teacher (Debi) mounted our fabric onto stretcher bars and then taped a piece of paper over the front!  This meant that you had to work the stitching in a sewing motion rather than stabbing the needle from one side of the fabric to the other.  It also meant that you couldn't put your non-stitching hand behind the fabric to guide the needle to the right place.  I soldiered on with the paper in place for about an hour and a half, and then I took it off because I was impatient at the slowness of the stitching.  (We were allowed to take the paper off, and most of us did!)

Naversom is a pulled and drawn thread technique,

although it doesn't show up too well in this photo.

Debi used a 7-count Klostern fabric as the ground

because it has rather large holes.

This enabled us to skip the step

of removing the threads in the fabric

which we were told would have been

40 hours of prework!

The Most Challenging Class...

...was the blackwork class, for a couple of reasons:  going from 7-count fabric to 32-count fabric, and taking a complicated pattern and deconstructing it on the fly.  As a matter of fact, I was so slow in this class that I didn't even get to the deconstructing part at all!  (For some reason, the thread kept coming out of my needle.  I must have threaded the needle 20 times if I threaded it once!)  But I did appreciate the concept, which can be applied to any blackwork project in the future.  Instead of handing us a kit with a pattern, we were made to think about the patterns and how they might look on the fabric and how to shade using just one pattern (sort of "teach me to fish" rather than "give me a fish").

We were given a template with an oval to trace.

Then we had to find pictures of heads or other forms

and trace their outlines inside the oval.

(That was our pre-work.)

If you're wondering what type of head

is on the left, it's a dog's head.

I know I will use this technique in

upcoming blackwork projects.

The Most "Fun" Class...

...was the intermediate canvaswork.

My friend Cathy and I both took this class,

and we just had a fun, relaxing time,

giggling all the way through it.

This piece uses a lot of cool threads,

including a fuzzy Rainbow Gallery Very Velvet thread for the border.

The only thing I'm nervous about

are the bullion-stitch roses that go in the corners.

Technique I've Been Meaning to Try for the Longest Time

Huck weaving!

The class was on Sunday morning

and we had to catch an 11:45 flight,

so I had to leave an hour before the class was through,

but here is my start:

The piece will be a bell pull,

as you can see from the photo on the right.

And, yes, you just weave the thread through the fabric.

Monk's Cloth is often used for Huck,

but we were using Aida cloth.

It's a simple but fun technique.

Needless to say, my regular rotation

has gone on a short hiatus.

I'm looking forward to the

International Hermit & Stitch Weekend

which starts on Friday.

I have no clue what I'm going to work on,

but I would like to finish up the Naversom piece

sooner rather than later!

Hope your weekend will be fun-filled.

Thanks, as always, for visiting.